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Puerto Rican Nightjar
Last Saturday was the 24 Hour Comics Day challenge, and SCAD in Atlanta had several different challenges going on in addition to the comics. There were illustration, animation, painting, sculpture, and various other challenges going on, so people were working all day and all night on a bunch of really cool stuff. My husband, Goñi, even won an Adobe Creative Suite 4 software package for his Firebreather pinup.

Since I’m not a SCAD student, I didn’t participate in any of the challenges, but I did keep myself busy all night drawing a few endemic Puerto Rican birds. The one seen above is the Puerto Rican Nightjar, a very rare and critically endangered bird that inhabits the southwestern part of the island. The Nightjar’s plumage is mottled with browns and blacks to help it camouflage itself with the forest floor.

Puerto Rican Tody
The second bird shown here is the Puerto Rican Tody, a very small bird with bright green plumage on its back, white on its belly, and bright red on its throat. This bird is widespread on the island but is generally too small to be seen easily. You know one is close because of their loud and nasally beep calls.

The last bird that I drew at the challenge was the Puerto Rican Lizard-Cuckoo. These birds are quite large and are easily identifiable by the large white spots on their tail feathers. The rest of the bird is grayish tan, but they have red eyes and a reddish underbelly. These birds can be found in forests throughout the island but might be a little hard to see because of their very slow movements. Despite being so slow, they’re actually very good at catching lizards, which are their main source of food.

Puerto Rican Tody
In all, I was at SCAD from about 8PM to 6AM, so I spent about 10 hours on these (though I goofed off for a while as well, so the actual working time was about 8 or 9 hours). All of these were drawn with technical pens - I mainly used a 0.7mm for outlines and a 0.1mm for shading and small details.

The birds are shown here in the order that I drew them, so if you notice any declining quality, it’s probably due to exhaustion.

Why did I choose to illustrate Puerto Rican endemic birds? I’m a bird maniac and I’m Puerto Rican, so it’s a match made in heaven! Also, I wanted to supplement my portfolio with some technical illustrations because the style comes more naturally to me than editorial work (I am an engineer after all).

This is the second page of my “fears” themed notebook. Contrary to my first post on this theme, this fear is a more personal one. I tend to be very introverted in large crowds. I think this is in response to the fact that I feel very unimportant in overly-large groups; as if no one would notice if I were there at all. I suppose this is a self-image issue.

Large crowds also scare me because the collective mind can often be very stupid, causing violence and hysteria in situations that wouldn’t normally merit it. Plus, people tend to feel more anonymous in large groups, making them act in unusual and often brazen ways.

This month I’m participating in an artistic effort called The Sketchbook Project, run by Art House Shop in Atlanta, GA. They’ve sent 500 sketchbooks out to artists all over the world and the artists have to fill up the books with the theme of the project: fears. Once the sketchbooks are sent back, there is a gallery planned in October to showcase all of the notebooks on the walls of the Art House Shop gallery.

The notebooks are 3.5″ x 5″ Moleskines, so I carry mine around with me all the time to draw out ideas on the spot.

This image shows the front inside cover of my notebook, where I wrote out the theme, and the first page. The fear I’m trying to represent isn’t so much a personal fear as a collective one: the unknown.

“Sitting Bull” was commissioned about 3 years ago by my boss at the time. I worked at a computer lab at the University of Puerto Rico at Mayaguez doing regular maintenance and upgrades. My boss was a bit eccentric as far as Native Americans were concerned, and had all kinds of paraphernalia around the office and at his home. Sitting Bull was his favorite character from Native American history, so as soon as he found out that I could draw, he asked for this picture.

I designed the overall composition based on two different pictures that I found of Sitting Bull. I thought a cloudy night sky would be a good contrast to the figures in the foreground, so I incorporated into the picture.

Interestingly, at first the sky included a moon because I have always envisioned Native Americans as dancing in the moonlight. Maybe that image was engraved into my mind by movies and other media, but nevertheless, I thought the moon was a good addition. Unfortunately, an ink spill ruined the drawing of the moon so now there is only a dark spot in the upper right-hand corner.